In early October I received an invitation to an art Opening at the Heard Museum’s Berlin Gallery, the museum’s two-year-old commercial venture. Aside the from the museum shop that is. The invite came in the form of e-mail from artist Marla Allison and a subsequent post-card from the gallery. I met Marla during this year’s Indian Fair and Market. Marla is considered an emerging artist in the Native American arts scene, winning awards during The Market, and now featured at the Berlin Gallery. The Laguna, New Mexico, artist’s work is modern, expressionist-abstract, with ventures in experimental multimedia.
While we missed the opportunity to see Marla at the opening for the current Berlin show, we found ourselves lured to the Heard Museum by an exhibit-market of Navajo Master Weavers held November 1, 2008. The weavers’ market featured such master weavers as Ellamae Peterson, Florence Manygoats, Brenda Spenser, and many other great artists. The marketplace included demonstrations of the various aspects of weaving and related materials and tools.
We also took the opportunity to see the show at Berlin Gallery, our first visit. The gallery’s focus is the sale of national caliber, contemporary, Native American art. The current show, “Indigenous + Innovative”, running through December 28, 2008, features the works of Steven Yazzie, Tony Abeyta, Allan Houser, Marla Allison, Joe Feddersen and other great artist. Every piece worth the visit to this art space. But we would have to give the show prize to Joe Feddersen and his masterful glass work. Feddersen, an accomplished print-maker with work in collections at Smithsonian National Museum of the American Indian and the Whitney Museum of American Art, is also a sculptor and is displaying a series of gorgeous glass pieces.
These blown glass pieces are from a series of work begun during his residency at the Museum of Glass in Tacoma, Washington. Inspired and based on traditional fishing traps the art captures traditional lines of a basket trap, encased in smooth and precise glass shapes embedded with color they render a rather modern outline.
Filed under: Art Commentary, Photos, Vida | Tagged: arizona, art, Berlin Gallery, Diné, Heard Museum, Hector Acuña, Indian Fair and Market, Joe Feddersen, Marla Allison, native american, navajo, phoenix, Steven Yazzie, tapestry, weaver | 3 Comments »
Anyone else tired of this look?
I wonder if 38 year-old Shepard Fairey was aware of the visual phenom he would start when he designed Obama’s iconic posters. The art is a nice mix of Communist propaganda and graffiti stencil styles in muted blues and the Commie red, all in the “big face” trademark of OBEY GIANT. I truly enjoyed its debut.
Faireys
Unfortunately the longest election season EVER has soured me on this look. I love the original, but I’ve grown weary of the knock-offs. Sure, sure, I get it, Obama changed your life. You have a new middle name and it’s Hussein. Well, super!
Enough! Please!
What’s next? Ronald McDonald in the Fairey style? This baby is cooked, please move on!
"Street" artist Fairey
Filed under: Art Commentary, Politics, Vida, White House | Tagged: art, design, Election Posters, Hector Acuña, obama, Obey Giant, Shepard Fairey, trends | 1 Comment »